Interview with suspense author Khaled Talib

Welcome,
readers. Helping me kick off a new week is author Khaled Talib. We’re chatting
about his suspense-thriller Gun Kiss.
Bio:
Khaled is a
former magazine journalist with local and international exposure. His articles
have been published and syndicated to newspapers worldwide, and his short
stories have appeared in literary journals and magazines. The author, who
resides in Singapore, is a member of the International Thriller Writers. His second
novel, Incognito, won the Silver
award for the AuthorsDB Book Cover Contest 2017. It also received a 5-Star
review from Readers’ Favorite.
Welcome, Kahled. Please tell us about
your current release.
Gun Kiss begins with the Deringer that shot
Abraham Lincoln getting stolen at the Ford’s Theatre Museum by a professional
thief. Blake Deco, the protagonist, is tasked by the FBI to go to the Balkans
to retrieve it from a Russian general who purchased it. When Blake returns to
the States later, he learns from a Mexican friend, Chavez, that a Hollywood
movie star, Goldie St. Helen, has been kidnapped by a psychotic drug lord.
After Blake successfully rescues the actress, the drug lord launches a terror
campaign against them in a bid to get her back.
What inspired you to write this book?
I started
jogging one morning but I couldn’t sleep that night as my legs ached. I
distracted myself by watching an old movie. There was a famous actress, a
blonde, in it. The actress was besotting in the movie that it inspired me to
write my own story.
Excerpt from Gun Kiss:
The tall
buildings around Washington, D.C.’s 10th Street overshadowed the historic
Ford’s Theatre. Though the building had undergone refurbishment both inside and
out, it still seemed slightly out of place in modern America. However, that
didn’t stop the throngs of tourists visiting the building that June morning as
wispy clouds threaded through the cerulean sky.
It was a
crowded weekend day when Abraham Lincoln, in his overcoat, and two Union
soldiers, their faces covered with bandanas, stepped out of the van. They
meandered past the theater’s five historic doorways toward the modern glass
entrance. Everyone assumed they were part of a promotion taking place at the
museum. It was not uncommon to see park rangers and tour guides dressed in
period costumes.
The man
behind the Lincoln mask was Rick Walker—at least, that was the name he was
currently going by. Highly educated, the thirty-six-year-old professional thief
had a penchant for the fast life. If the assignment was a success today, he’d
promised his girlfriend a nice holiday.
Two female
park rangers stepped forward when Rick and his companions reached the front of
the line.
“You have to
get in line, sir. Also, you need to get tickets. Kindly remove the mask and
bandanas before entering,” one of the park rangers said.
“I do
apologize, madam, but I’m in a bit of a hurry,” Rick said. “I don’t think I
need a ticket, nor do I have to get in line given who I am.”
“That’s the
only way you’re going to get in,” the park ranger said.
 “Well, if you insist, madam, and once again,
please accept my apologies.” Rick bowed and tipped his hat, then extended a
hand to the park ranger, who instinctively took it.
Rick grabbed
her wrist tightly and locked it to his own with a steel cuff.
“What are you
doing?” the park ranger yelled, trying to jerk her hand away.
“Getting
acquainted,” Rick said.
The park
ranger reached for the walkie-talkie strapped to her belt, but Rick snatched it
away from her. Frantically, she turned to the other park ranger. “Get
security!”
One of the
two Union soldiers dropped his prop rifle and grabbed the other park ranger’s
hand, then cuffed her wrist to his own. He pulled out a real gun tucked under
his waistband and aimed it at her.
Rick
unbuttoned the jacket of his three-piece suit and brandished the bomb strapped
to his chest.
 “Bomb! Bomb!” a young teenager in the line
shrieked.
Pandemonium
broke out as the screams of panic amplified. People ran in every direction.
Those who moved slowly were slammed aside, or knocked over.
 Rick pulled the ranger cuffed to him aside.
“We’re going downstairs, and we’re going to take the Deringer. Obey your
president,” he said in a hollow voice.
“Yes, sir,”
the park ranger said as beads of sweat formed on her forehead.
They
descended by elevator and emptied into an interactive museum. The wealth of
history in the dimly lit space featured original artifacts in glass showcases,
furniture, statues, murals, and narrative devices. The visitors already in the
museum scattered wildly at the sight of a man in a Lincoln mask displaying a
bomb strapped to his chest, a park ranger cuffed to his wrist.
“Show’s over,
folks,” Rick yelled. “Go!”
The park
ranger guided her captors to a section in the museum where the Deringer floated
in an oblong glass case capped at both ends with wood. A mural behind it
depicted John Wilkes Booth firing a single shot at Abraham Lincoln as he sat in
the theater box.
The Union
soldier not cuffed to a park ranger took out a glasscutter from his coat pocket
and began to cut a circle in the glass. When it popped free, he inserted his
hand inside and yanked out the Deringer.
“We’re going
to take you with us. Don’t give me trouble. If you behave, you’ll be back home
in time for dinner with the family,” Rick said, dragging the park ranger closer
to him. “Understand?”
The park
ranger nodded once, nervously.
 “Excellent,” Rick said.
They exited
through the theater’s main door and stepped out into the empty street. The
crowd had dispersed. Some had regrouped tensely a few hundred meters away at
both ends. “Cheer up—it’s going to be a fun day,” Rick said, walking toward the
van.
 The park ranger with Rick raised her voice.
“Please, please, let us go. I don’t want to die.”
“Well, behave
and everything will be fine.” He opened the side, forced her in and jumped in
after her. He shut the door after the accomplice had climbed in with the second
park ranger.
The van began
to move off.
“Hallelujah!”
Rick yelled in excitement behind the mask as he sat at the back of the van. He
removed the cuff from his wrist and secured the park ranger onto a railing.
“We’ll be
arriving in five,” the driver said after a few blocks. “You know what to do.”
“I sure do,”
Rick said as he removed the bomb strapped to his chest. Still wearing the mask,
he looked at the hostages. “Don’t worry about the bomb, it’s fake.”
He unhooked a
tote bag from the wall and began removing the contents. Facing away from the
hostages, he removed the Lincoln mask and slipped into casual attire. He hid
his face by putting on a red baseball cap and a pair of dark shades then
stuffed the costume into the bag and swung it over his shoulder.
Rick looked
again at the park rangers. “Look on the bright side—now you get to tell
visitors a different story at the museum.”
The Union
soldier in the back with him handed over the Deringer, which Rick slipped into
the bag.
The driver
slowed down and stopped behind a parked car.
“All good
outside?” Rick asked.
“Yeah…all
good. I parked a few cars behind us,” the driver replied, looking at the side
mirror.
“Okay. Nice
doing business with you guys.” Rick pulled open a trapdoor in the center of the
floorboard, slid out, and slithered under the parked car in front of the van.
The van
pulled away from the curb and sped down the street. After a minute, Rick rolled
onto the road, got up, and walked toward the park at Judiciary Square on the
Red Line and descended into the Metro.
A day later,
Rick sat at a café with his eyes glued to the screen of a laptop, drinking a
hot latte with his back against the wall. He scanned the faces of everyone who
entered. Though he wasn’t expecting trouble, he remained vigilant.
“Is it in
yet?” the tall blonde sitting across from him asked.
He scratched
the roughness of his stubble as he continued to stare at the screen. “Not yet.”
Moments
later, the figures on his account changed. A new deposit had been registered:
ten million dollars.
Rick lifted
his eyes. “Darling.”
“Yeah?”
“Remember,
we’re in a public place, so don’t scream.”
She leaned
forward. “It’s in?”
Rick wriggled
his eyebrows. “Pack your bags. We’re going on a holiday, as I promised.”
What exciting story are you working on
next?
I’m currently
working on a murder-mystery set in a South Australian vineyard. For more than a
decade, I handled the public relations account of the State here in Singapore.
I used to visit that part of Australia regularly. It’s different from the rest
of the states in terms of landscape, weather, people. I’m injecting everything
into it based on my personal experiences.
When did you first consider yourself a
writer?
When I was
seven. I never enjoyed school, but I always light up when it came to essay
writing. I knew there was something there, but I couldn’t understand what it
was. My mind was talking to me. What’s interesting is that I noticed that most
people in my class never appreciated stories or writing. They found it to be a
chore. Yet I enjoyed creating stories, so I continued doing what I did best
while ignoring the situations around me. At the end of the day you live for
yourself; you are not beholden to anyone. What do you want to be? Some time
back I met a school classmate that I’ve not seen for decades. He made a comment
about me in my present to another – not in a bad way – and said that I live in
my own world. In other words, I’m more interested in the realm of imagination
and fantasy. Let me put it this way: when I look at things, whether it is a
place, a spot, a painting or a person or a group of people having a
conversation, I visualize it differently. For me, it’s not just now but I want
to keep the scene. You know, it’s like what they say about enjoying the journey
rather than wait for the destination. I noticed many people don’t appreciate
that; they just can’t wait to reach their destination and skip everything in
between. I, on the other hand, like to soak up everything.
Do you write full-time? If so, what’s
your work day like? If not, what do you do other than write and how do you find
time to write?
My background
is magazine journalism and public relations. But I write full time these days
though I still do some projects in between., the ones that I like. I don’t have
a strict writing regime. I write when I feel like writing. However, I’m not the
type who can just sit anywhere and write. I can’t write at a café or some
unfamiliar place because it’ll make me feel distracted. It’ll take me a long
time to settle it before I can even type the first sentence. I write in the
morning, day and night. I don’t write when I’m tired, but my mind is always
thinking about a scene. Did I miss something? Should I include this or that? It
never stops until I write The End.
What would you say is your interesting
writing quirk?
You’ve heard
of method acting but have you heard of method writing? That’s when I step into
my character’s mind and be them. I imagine their mannerisms, body language,
tone — everything. Hell! I’m still punctuating my conversation with real people
by saying “Amigo” to them because I haven’t debriefed myself.
As a child, what did you want to be when
you grew up?
A fireman,
then a detective (thanks to Alfred Hitchcock’s Three Investigators), a
scientist and a movie star.
Anything additional you want to share
with the readers?
If you
plan to read Gun Kiss, expect the
unexpected.
Links:
Thanks for being here today, Khaled.

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