I have an interview with Kathrin Hutson to talk about her new dark fantasy
novel, Daughter of the Drackan: Book one
of Gyenona’s Children.
During her virtual book tour, Kathrin will be awarding a $25 Amazon or Barnes
and Noble (winner’s choice) gift card to a lucky, randomly drawn winner. To be
entered for a chance to win, use the
form below. To increase your chances of winning, feel free to visit her other tour stops and enter there, too!
writing fiction for fifteen years, editing for five, and plunging in and out of
reality since she first became aware of the concept. Kathrin specializes in
Dark Fantasy and Sci-fi, and the second novel in this series, Mother of the
Drackan, will be released this February.
independent editing company, KLH CreateWorks, for Indie Authors of all genres.
She also serves as Story Coordinator and Chief Editor for Collaborative Writing
Challenge, and Editing Director for Rambunctious Rambling Publications, Inc.
Needless to say, she doesn’t have time to do anything she doesn’t enjoy.
Daughter of the Drackan, in print or as an ebook, on Amazon here:
little bit about your current release.
‘Born of humans but
raised by beasts who despise the legacy of man, Keelin is the only one who can
redeem, or destroy, the future of both races.’
of the Drackan is my first published book and the first in the Dark Fantasy
series ‘Gyenona’s Children’. It’s a bit surreal for me to see it out there and
hear about people reading it—I’m sure it will continue to feel that way, no
matter how many books I write. Originally, I’d written the first drafts of both
this book and its sequel when I was in high school (11:52pm on New Year’s Eve
of 2007, to be exact), and I sat on it for a long time. Then I edited it, had
it read by a few different people, and spent two years querying to literary
agents and traditional publishing companies. That equaled two years’ worth of
rejection letters, which I’ve stowed away in a pretty little corner of my
computer’s hard-drive. Then I edited some more (meticulously and with a lot of
bloodshed—I took out 11K words from ‘Daughter of the Drackan’ alone), gave it
to more people to read, and figured I might as well go ahead and self-publish.
That was probably one of the best decisions I’ve ever made with this novel.
a protagonist, Keelin isn’t necessarily for everyone. She’s gritty, haughty,
and sometimes annoyingly whiney. Despite her violence, bloodlust, and infuriating
stubbornness, she’s also loyal to a fault, independent, and remarkably good at
what she does—namely killing. There’s a lot of my own wild side in Keelin; of
course, that’s the side of me I’ll never let out, save for through my
characters. She struggles constantly to discover who she is within two opposing
worlds, neither of which want to accept her completely, and does the only thing
she can to find the answers she needs—manipulating those around her in whatever
way suits her purposes.
What inspired you to write this book?
This book was inspired by a combination of a lot of things. Most of the
inspiration came from my growing need to write something dark and epic. I think
any fiction with an inherently violent and nasty streak is a good deal more entertaining
than bunnies and rainbows. It feels more real to me. And badass characters are
hard not to like.
creating the conflict of this story line, listened to for hours on end as I sat
in the back seat of my dad’s truck as a teenager (at the time, we lived in the
Rocky Mountains and about forty-five minutes away from anything at all). ‘The
Adventures of Vlad Taltos’ series by Steven Brust gave me a lot of the
developmental ideas for Keelin’s character, and Igetheyr, the patriarch of the
High Hills Drackans (and probably the most powerful, omniscient character in
this entire world) came to me in nothing more than a ridiculously vivid
dream—as did the spelling of his name (and how I remembered it, I’ll never
Excerpt from Daughter of the Drackan:
heard the flapping of wings far before his shadow drew across the open ground.
He hovered above her, growling for her to move before he crushed her. The
circling trees creaked and moaned as they bent beneath his wings. This was not
the first time she had made him land in an area already too small for him. If
he could joke at her misfortune, she could smirk at his size. D’ruk’s claws
crunched on the leaves as he tried unsuccessfully to land with grace,
attempting to bring his wings in toward his body.
saw the dark shape move again and paused. A twig cracked and the air filled
with a foreign, anxious shout. A dark blur streaked from behind another tree,
and then stopped only feet from Keelin. It
had been caught. She stared back at the first human she had ever seen.
The human stood at the ready with one
foot back, balancing its broad and frozen stance. Its arms stretched out at eye
level, holding a long, curved bow of wood, strung with a sharpened stick.
Keelin considered it a weapon. The human’s skin appeared almost black,
contrasted only by the frightened whites of its eyes. It had covered its lower
half with something that otherwise would have made Keelin laugh, and revealed its
bare chest without shame. This made the creature’s legs look soft, featureless,
was a human. She had never actually
seen a live one before, but there could be no mistake.
growl rumbled behind her and D’ruk sent reddened hatred to her.
’ She couldn’t quite find the words, but she didn’t need
to explain. He growled again. The human shook its weapon and shouted louder.
Keelin couldn’t understand the noises it made, nor why it shoved the weapon
toward her. She hadn’t provoked it…yet.
What exciting story are you working
Currently, I’m in the final review stages of the series’ sequel, Mother of the Drackan. This is one heck
of an addition to Keelin’s journey, and focuses a lot more on her relationship
with the quiet rogue, Rokien, and her struggles between hunting down revenge
and realizing she actually cares for others besides herself. The second book
should (hopefully) be out February/March.
also most of the way through my adult Dystopian Sci-Fi, Sleepwater Beat. This is a huge project for me, as I’d only ever
written bursts of Sci-Fi in short stories before, and because the story just
has a lot to say. It’s got a little bit of everything—sex, drugs, violence
(ha!), government and pharmaceutical conspiracy, black market dealings,
guerilla warfare, human trafficking and experimentation, and a little bit of
superpowers. The superpowers, of course, are a bit different; some of these
characters have the ability to illicit physical, emotional, and psychological
responses in anyone who hears the certain type of words they use on command,
and the protagonist Leo has the power to make anyone believe anything she wants
(with a caveat, of course, but no spoilers!). I didn’t think it was possible to
create something darker and grittier than the ‘Gyenona’s Children’ series, but
I’ve definitely done it with this new novel. Hopefully, this one will release
shortly after Mother of the Drackan,
around March or April.
When did you first consider yourself a
I first considered myself a writer the moment I realized I could turn
absolutely anything in my imagination into some form of reality, just by
putting it into words and down on paper. I was ten, and I’ve been writing ever since.
did I first start calling myself a
writer? That took a lot longer. It wasn’t when I finished my first short story,
or my first novel, or even when I got into the Creative Writing—Fiction program
at CU Boulder for my Bachelor’s. I definitely hadn’t even started calling
myself a writer when I queried the heck out of any agent and publisher I could
find. I think it happened somewhere between starting to write ‘Sleepwater
Beat’, which is my third novel, and making the decision to finally stop pussyfooting
around and commit to self-publishing ‘Daughter of the Drackan’. I still catch
myself on occasion telling strangers, “Oh, well, I write sometimes,” instead
of, “I’m an author,” but it gets easier with time.
spoken with a lot of other authors who have struggled with “calling themselves
writers/authors”. It seems we don’t allow ourselves to pick up the mantel until
we hear others calling us authors, but I’ve found that what really “makes me a
writer” comes from two things: writing, and telling people that I’m a writer,
no matter what I think their reactions may be. I work with a lot of other
authors on a consistent basis, and the thing I keep telling so many of them is,
“Give yourself more credit! As long as you write, you’re a writer.”
Do you write full-time? If so, what’s
your work day like? If not, what do you do other than write and how do you find
time to write?
I’d love to say I only write full-time, but unfortunately, I don’t. Instead,
I’ve got the next best thing: I’m a full-time author and a full-time editor. So I guess I’m working double-time!
a year ago, I took the leap into creating my own independent editing company,
KLH CreateWorks. I offer copy and content editing services for short stories
and manuscripts of any genre, and I do a bit of Indie Author consulting and web
content writing on the side. I absolutely love it! Around the same time, I
approached Laura Callender, the founder of Collaborative Writing Challenge
(CWC), originally about any openings for new writers she may have had in her
second collaboration. The project schedule was full, but she was looking for a
new Story Coordinator to run a third project (we’re now about to publish that
third project, have started a fourth, and are just about to kick off the fifth.
If you’re looking for a serious way to stretch your writing talents, I super
recommend checking out CWC!). I signed on with gusto, and shortly thereafter
became CWC’s Chief Editor. A few months later, I was contacted by Aaron Hughes, owner and Managing Director of
Rambunctious Ramblings Publishing, Inc. (RRPI), and offered a position as their
suppose I could say I have four jobs—author, my own boss as an indie editor,
and editor for two other companies. I couldn’t possibly be any more thrilled
with any other job, especially since everything I do revolves around words,
fiction, and other authors.
course, being an editor also improves my own writing dramatically, which I love. I also have learned that knowing how to
explain the why of my editing
decisions to both clients and signed authors gives me a knowledge of writing
fiction I never knew I had (or have since developed).
to say, I’ve got a super busy schedule (which is really the only way I get anything done). I’ve set myself a daily
quota, which is at least 1,000 words of written fiction, and I slip that in at
any time of the day which suits me. I usually spend most of the day on
Saturdays working on my own fiction, whether that’s editing my finished novels
or working on the WIP, and Sundays are strictly “no work”. Most of the time, I
spend Sundays reading—gotta soak up creativity and imagination from others,
purely for fun, in order to refuel my own.
interesting writing quirk?
It might not be super interesting, but my husband thinks it’s weird. When I’m
“in the zone”, I have a huge bottle of water and a plate of food at my desk at
all times. I kind of seem to forget that the laws of time, hunger, and thirst
exist, and I peck at the food all day…it gets eaten, eventually, but only after
it’s turned cold and the hours have ticked by. Apparently, that’s enough to
keep me going all day.
As a child, what did you want to be when
you grew up?
I wanted to be a writer and a teacher. I suppose those things have both come
true, in a way.
Anything additional you want to share
with the readers?
readers, for stopping by and taking the time to check out the interview. I do
so love getting to chat with readers and
other authors, and I hope that, at the very least, your curiosity has been
Thank you for being a guest on my blog!