kicking off a new week with historical fiction/alternative fiction author George T. Chronis. He’s chatting about his novel, Sudetenland
in particular and writing in general.
During his virtual book tour, George will be awarding a $25 Amazon or Barnes
and Noble (winner’s choice) gift card to a randomly drawn winner. To be entered
for a chance to win, use the form below.
To increase your chances of winning, feel free to visit his other tour stops
and enter there, too.
years as a journalist and magazine editor, George T. Chronis decided to return
to his lifelong passion, storytelling. A lover of both 1930s cinema and world
history, Chronis is now devoted to bringing life to the mid-20th Century
fictional narratives that have been in his thoughts for years. Sudetenland is
his first novel. Taking place during turbulent times in Central Europe during
the 1930s, the book took eight years to research and write. The author is
already hard at work on his second novel. Chronis is married with two
daughters, and lives with his wife in a Southern California mountain community.
Welcome, George. Please tell us about
your current release.
had in the back of my head for years, as well as homage to a particular kind of
storytelling I have loved since I was a kid. In broad terms the nook is
historical fiction set around the Sudeten Crisis of 1938 between Germany and
Czechoslovakia. There is an abundance of fascinating historical details from
World War II era that will be new to many people. The 1930s is an era I adore
and Sudetenland game me a chance to play with characters similar to those you’d
find in motion pictures from the decade – smart, sassy and motivated to come
out on top.
What inspired you to write this book?
Sudeten Crisis was an important focal point in history that I had been aware
for a long time. The whole situation provided a wealth of factual suspense and
intrigue to play with. There are a bunch of narratives on my list to pursue yet
when I decided that I wanted to write a novel, I kept on coming back to this
subject matter as the foundation for a story a wide range of people could
Excerpt from Sudetenland:
Ros strutted into Lasky’s office, coming to a dead
end in front of the wood desk that was as long as Rhode Island. She tapped the
sole of her shoe on the floor impatiently while Lasky bellowed at someone else
in the newsroom. At least the afternoon view over Manhattan was pleasing.
Blowing in like a foul wind, Lasky slammed the door and walked right past her.
there,” Ros offered up in appeasement.
hand. “Forget it. That’s not why you’re here. I have a job for you.”
play along. “What kind of job?”
the document he was looking for.
set up. Lodging, fares, advances, the whole low-down,” Lasky finished,
handing her the form.
going?” she blurted out before taking a wild glance at the paperwork.
the problem child on the boat before she could cry about needing a raise. He
reached out and grabbed the form back. Throwing it on the desktop, Lasky signed
the paper with his fountain pen.
“I’m going to Paris? When did someone around here start liking me?”
taunted her while he walked back around to the front of his desk. “That
screwy Miranda just stabbed me in the back. She found herself some guy over
there, got married, and now she’s running off to some French island in the
Caribbean. I need someone to pick up the pieces in Paris. That’s you.”
weren’t coming together in Ros’ head.
quit,” Lasky mimicked a feminine voice. These damn ditzy broads were
always letting him down. But Ros showed promise. Pointing his finger repeatedly
at her nose, he continued his rant. “Miranda left me high and dry, so I’m
sending you to pick up the pieces. You, I don’t have to worry about. With that
mouth, no one is going to be marrying you.”
painting a very enticing picture for me here. What if I don’t want to go to
Paris? Any one of those stooges out there would kill to go to Paris but none of
them have what you’ve got.”
closer and started jabbing Lasky in the shoulder with two fingers, slowly
backing him up against the desk.
threatening. “Miranda was on a fashion beat. That means to you the only
thing I got that those mugs out there don’t have, is boobs. It’s another
glorified gossip beat, you rat!”
Lasky shouted in his defense.
“I’m tired of going to county fairs. I’m tired of the only labor unrest
stories coming my way having to be in washing machine factories. I’m tired of
reporting on this ditzy socialite, and that boring dolt of a millionaire. I want
a real beat like a real reporter, Harry. I can do the job just as good, or
better, as those guys out there and I cost less.”
readying his counter attack. He hadn’t expected this much of a fight. But he needed
her and he couldn’t run the risk of her bolting.
got who can jump in and take over for Miranda. But you’re also a hell of a lot
better than she is… err, was. You won’t have to work as hard to cover her
beat. In case you haven’t noticed, between the Nazis and Mussolini, there’s one
crisis after another going on over in Europe. I’m sure there’s going to be some
important stories Walter and our boys won’t be able to get to. What you do with
your free time is up to you.”
going to let him twist free that easily. Paris did sound kind of nice, and he
was throwing her a bone in the way of real work, but Ros was sure the beat
would take up more time than Lasky was promising, and she wanted something else
from him… for pride, and because she could. So Ros just silently stared Lasky
down, daring him to add one more carrot to get her to sign on.
a long standoff.
to seal the deal.
What exciting story are you working on
I am working on primary research for the sequel to Sudetenland I have turned to
an old screenplay of mine that was quite well liked at the time but never
optioned. It is a Film Noir set in late 1940s Los Angeles. A secret German
technology from the war has surfaced and people are turning up dead on the
streets of L.A. This is a much smaller story in scope than Sudetenland yet with
similar qualities. I am having a great time beefing up the atmospherics and
fleshing out the characters.
When did you first consider yourself a
probably did not hit me until I got my first staff job on a magazine. I had the
time of my life covering new technology, entertainment and videogames as a
journalist and editor.
Do you write full-time? If so, what’s
your work day like? If not, what do you do other than write and how do you find
time to write?
Although I have been very pleased with the response so far to Sudetenland, this
is my first novel and more of a labor of love than an income producer. These
days I work for a market research firm where I edit our reports and outreach.
If I am lucky I put aside two to three mornings a week to write. If my lovely
wife has herself pre-occupied with one of her projects then I will steal some
time in the evenings to work on research.
What would you say is your interesting
come at this from an oddball angle having been trained as a screenwriter
originally. My sense of pacing and narrative structure has not changed a lot
over the years. What is kind of funny is that back then people who read my
screenplays enjoyed them rather more like a novel, and today people say one
reason they enjoy Sudetenland is because it has cinematic qualities.
As a child, what did you want to be when
you grew up?
imagined writing for an automobile magazine would be the coolest job in the
world. Every day people would drop off brand new cars for you to try out and
then you would get to share your good fortune with others. Ending up writing
for PC and console game magazines came awfully close.
Anything additional you want to share
with the readers?
has been delightful hearing back from people who have really enjoyed reading Sudetenland.
As a seasoned writer, you think you have completed something worthwhile but you
are never sure until your baby is out there and you get back the first notices.
Going from magazine articles to a historical novel was a big jump but it has
been very worthwhile.