Guest post on horror and its subgenres by Su Halfwerk

The Horror Genre and
its Babies
by Su Halfwerk
Horror fiction generates a deliberate and imminent sense of foreboding
that leaves little hope of a happy ending. It creates an eerie atmosphere
caused by either otherworldly (demons and monsters) or natural elements (mental
illness or mutations cranked up to the umpteenth power.) Readers’ responses
vary between emotional, physiological, and psychological; it all depends on how
much they can take and how gory the story is.
The division of horror subgenres (babies) is a debatable topic people
tend to argue about. I’ve drawn the examples below from my readings and books
on my TBR pile. Let’s have a look at these subgenres to gauge how deep is
horror’s reach and how dark is your little soul (depending on your preference,
of course.) Shall we?
Soft horror is based mainly on dark mood and subtle hints at fear
rather than shock and gore. Example: Haunted by James Herbert.
Dark fantasy is fantasy
with a horrific touch that highlights good vs. evil. Example: Dark Tower
series by Stephen King.
Supernatural or paranormal
is about unreal monsters (zombies, ghosts, demons, giant insects, etc) who isolate
normal humans and make them suffer or simply eat them. Example: I Am Legend
by Richard Matheson.
Sci-fi horror is a concoction of science fiction
and horror genres where the science fiction elements (space and time travel,
biotechnological organisms, extraterrestrial beings, and automatons) are used
to infuse the horror factor. Example: Infected by Scott Sigler.
Psychological is based
solely on the characters’ psychological fears. It might have gore and
mutilation but mostly it is subtle until it is revealed that the view point character
might’ve been raving mad. Example: Intricate
Entanglement
by Su Halfwerk. (Me *waves*)
Lovecraftian is also known as
Cathulhu mythos. The basis of H.P. Lovecraft’s fiction is that thousands of
years ago, the world was populated by a race of immense powers that still
reside, unseen, in the center of the earth or somewhere unknown to us. Example:
The Book of Cthulhu anthology.
Gothic is written in literary
fashion that involves the intrusion of the POV character’s insanity. It might
include specters, crypts, and hexes set in haunted and decaying mansions. The
atmosphere is gloomy and coiled in a sense of doom. Example:  Works by Edgar Allan Poe like The Fall of
the House of Usher
.
Suspense/Thriller is
mystery (whodunit) where the horror element isn’t supernatural but involves
real people (like serial killers and sociopaths) who generate the menace factor
in these tales. Example: Die for Me by Karen
Rose.

Satanic or Occult focuses on
deals with the devil or demons. Examples: Hellbound
by Su Halfwerk, The Picture of Dorian Gray by Oscar Wilde and Zuphreen
by Su Halfwerk :-).
Weird Fiction or bizzaro
as a term was coined by Weird Tales magazine. A bizzaro novel might have
a combination of supernatural and mythical stories that share a sense of
unrealism and strangeness. Because of its uncanniness, this fiction can border
on humorous. Example: Attic Clowns by Jeremy C. Shipp.
Holocaust involves mass
destruction of life due to an epidemic outbreak, human slaughter—like the
German Nazi Holocaust—, experiments gone awry, or monsters. Example: The
Stand
by Stephen King.
Erotic Horror is horror with
explicit sexual content essential to the original story; take the sex out and
the story will be incomplete and choppy. Typically, that sex is not gratifying.
Example: Coven of Celsus – Elizabeth: an erotic horror by Randy V.
Splatterpunk is extreme horror
with vividly described gory and violent actions. Examples:  Vile Things: Extreme Deviations of Horror
and Splatterpunks: Extreme Horror anthologies.
Cutting Edge’s meaning as a subgenre
differs from one person to another. For me, it takes place in modern settings
and encompasses more than one of the previous genres in one place. Example: Purity
by Douglas Clegg.
This is how I separate horror subgenres and pick my
reading materials accordingly. In any case, horror should be entertaining (yes,
it should. Really!) and it must have an intriguing plot. I hope
you enjoyed this quick run through horror’s subgenres.
So, what’s your favorite subgenre? And what genres will
you be trying out?
Lisa, thank you so much for the opportunity to share with
your readers the darker side of fiction and its kiddies.
****
About Su Halfwerk:
Su
Halfwerk writes in the horror and paranormal romance genres. From a tender age,
the written word left a strong impression on her, later on terrifying,
blood-chilling books became the object of her interest. Su’s style in horror
combines shuddery terror with elements of surprise; some would even call it an
enigmatic twist. In the world of paranormal romance, she transforms the desire
to scare into a quest to seduce and tantalize.
Books
by Su Halfwerk:
When
not writing, Su is designing book trailers for herself and other authors.
You can find Su online here: Website  |  Blog  |  Facebook  |  Twitter  |  Novel Prevue

9 thoughts on “Guest post on horror and its subgenres by Su Halfwerk

  1. Jenny Twist says:

    What a fascinating piece! I had never realised how many sub-genres there might be! My own favourite is the ghost story, but I love most of the others except the really gory stuff and the space-type SciFi (although SciFi dealing with distopias or new technology or mutations – The Stand, Firefighter is fab). Love your stuff, Su

  2. Su Halfwerk says:

    Jenny,
    Even though I try to keep my horror reading options broad, I like stories that are about demons or ghosts, or psychological in nature.
    I agree with you though, the gory stuff can go overboard sometimes, and you'll never know when until it's too late 🙁
    Thanks for stopping by!

  3. Su Halfwerk says:

    LOL @Toni,
    But that's part of his/her appeal, isn't it? To hide in plain sight and possess several disguises.

  4. Kathryn Meyer Griffith says:

    Su,
    interesting post. Since I myself have always blended 2-4 genres in each of my books, and mostly are horror of one sort or another, I read it, nodding my head. Yes, yes. Horror has come a long way since Stephen King first published Carrie…and I for one am glad. 30 years ago I guiltily would whisper, "I'm a horror writer," or labeled them spooky books or didn't say anything. Now, at least, I can say firmly, "I write horror." People accept the genre better now.
    Author Kathryn Meyer Griffith rdgriff@htc.net

  5. Su Halfwerk says:

    You raise an interesting point, Kathryn. Even horror readers suffered. Before becoming an author, I was an avid reader of the horror genre, it didn't matter what subgenre at that stage. Nevertheless, people questioned my taste.
    Whether the horror book is a purist (one subgenre) or has several subgenres mashed together, if it has a solid plot and fresh perspective, I'd grab it and read it.

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